Strong Enough To Break (2006)

Strong Enough To Break:

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What started out as a “Making of…” video, turned into a Documentary over time. “Strong Enough To Break” tells the story of Isaac, Taylor, and Zac Hanson’s 3 year struggle with their record label to make an album, THEIR way.It also gives an inside look at how major record companies do business. After many unproductive years, Hanson cut ties with Island Records in April 2003, which lead to the launch of their own company, 3CG Records, and a highly successful Acoustic Tour that paved the way to what would become one of the most successful self-released albums of all time.

I watched this yesterday and i have to say it is one of the most interesting documentaries i have ever seen. It gave me a real insight as to how the music business works and how hard The Hanson Brothers had to work to get to where they are now. people who have never liked Hanson will find this piece riveting. The long-awaited “Strong Enough To Break” details the 40-month battle between Hanson and their then record company, Island DefJam. After years of their fans complaining about the length of time it takes between the release of albums, this documentary reveals why as it showcases the faithlessness and muck that the music industry feeds on and continuously feeds to the public.

This is the story of Isaac, Taylor, and Zac, the three brothers from Tulsa, Oklahoma who became superstars a decade ago seemingly overnight. If you thought that they were just some out-of-date fluff piece, you couldn’t be wronger. Their ambitions were to become a great rock band; unfortunately, they were also young and cute, and ended up being marketed as some throwaway teen idol act. In reality, these are three hardworking musicians who have fought tooth and nail to record the kind of music they wanted, instead of giving in to their former record company’s pressure to make another “MMMBop.”

This Documetary is narrarated by youngest brother Zac Hanson, and basically catalogues the step by step long and painful journey to create one of their most well known albums “Underneath”. From the beginning of making the album they were critisized and patronized by their so called supporters and especially their producers. You get a glimpse of their family life and their relationship as brothers. The documentary ends with a (somewhat) happy ending, when the brothers receive word that their album, released in April 2004, debuted at #1 on the Billboard’s Independent charts.

This a very powerful and truthful documentary which i found very interesting and well-made, i really respect the Hanson Brothers a lot more after watching this, not that i didnt before, i just didnt have that much knowledge of them before watching this. I recommend this doco to anyone who likes Hanson or even if you dont like them, I’m preety sure you will respect them more after watching this.

Speed Racer (2008)

Speed Racer:

Hurtling down the track, careening around, over and through the competition, Speed Racer is a natural behind the wheel. Born to race cars, Speed is aggressive, instinctive and, most of all, fearless. His only real competition is the memory of the brother he idolized-the legendary Rex Racer – whose death in a race has left behind a legacy that Speed is driven to fulfill. Speed is loyal to the family racing business, led by his father, Pops Racer, the designer of Speed’s thundering Mach 5. When Speed turns down a lucrative and tempting offer from Royalton Industries, he not only infuriates the company’s maniacal owner but uncovers a terrible secret-some of the biggest races are being fixed by a handful of ruthless moguls who manipulate the top drivers to boost profits. If Speed won’t drive for Royalton, Royalton will see to it that the Mach 5 never crosses another finish line. The only way for Speed to save his family’s business and the sport he loves is to beat Royalton at his own game. With the support of his family and his loyal girlfriend, Trixie, Speed teams with his one-time rival-the mysterious Racer X – to win the race that had taken his brother’s life: the death-defying, cross-country rally known as The Crucible.

I saw Speed Racer on Saturday with 3 of my friends and i have to say that it was’nt completely what i expected but it lived up to what i thought it would be like. The Wachowski brothers have brought us The Matrix films and although Speed Racer is very different from these films i think that it delivers a fun and entertaining 2 hours. The world shown on screen by the Wachowski brothers is marvelous. The animation is perfect for the atmosphere they’re trying to create. Don’t go in expecting Matrix-esquire effects, because there aren’t any bullet time scenes. The effects used are so fitting for this movie because they’re almost cartoonish and the movie doesn’t take itself too seriously.
The film, an adaptation of the long running Japanese anime, revolves around natural racing phenomenon Speed (the wonderful Emile Hirsch) and his family, which somehow includes John Goodman and Susan Sarandon (whoever pulled off this casting deserves some kind of award). Oh yeah, and the casting directors managed to get Matthew Fox and Christina Ricci as well. What really stood out in this area is that everyone involved really understood the characters and the world that Speed Racer is supposed to display. It’s not supposed to be overly serious, nor is it supposed to be that realistic either. With the warm performances of Hirsch, Goodman, and Ricci, you get transported into another world (isn’t that the point of movies anyway?). Matthew Fox is also great as the mysterious Racer X, whose role is sort of misconstrued by the previews. He showed a different side that I didn’t think he could on ‘Lost’.

The visual effects, as I’ve said before, aren’t going to be Matrix-esquire, but there are a few “whoa” factor sequences that had my jaw dropping. I also need to warn you that, if you can’t take fast camera movements or rapid shots, be careful. It’s not as bad as Cloverfield or Blair Witch (because the quickness only occurs in the race sequences), but I’d still try to grab a seat in the middle or back of the theater. The film is visually stunning outside of the races themselves as well. The buildings, the cities, the homes, the cars themselves…all beautiful.

My advice: don’t listen to the critics, see this movie for the fact that it’s pure entertainment for the audience, and it will take you away to a visually stunning world for a couple hours. Definitely an enjoyable movie for the entire family.

Gerry (2002)

Gerry:

A friendship between two twenty-something men is tested to its very limits when they go on a hike in a desert and forget to bring any water or food with them.

There are mixed feelings about this film, especially as to what it is trying to get across. Personally i think that it has no meaning beyond what the viewer ascribes to it, and may range from nothing to cosmic significance. For me what made up Gerry was through visuals, music, sounds and pacing.

The visuals of the vast expanses of desert are entrancing. If you have ever been in an isolated area of a desert, you will understand that this movie captures the sense of mystery, aloneness, and spiritual awareness that so many people experience in that environment. The time-lapse shots of sun, desert, and clouds are highly reminiscent, and equally as effective, as those in “Koyaanisqatsi.”

The music offers perfect augmentation for the meditative frame of mind induced by the desert landscapes. Then we come to the pacing, which is the single issue that divides opinion on this film. You get introduced to this pacing issue in the first five minutes with uninterrupted shots of a car driving along an isolated desert road accompanied by Pärt’s “Spiegel Im Spiegel” (mirror in the mirror). If there is nothing in the opening sequence that appeals to you, then you should bail out and save yourself some time; on the other hand, if you find the opening sequence the least bit appealing, then you might want to stick around.

Whatever you can say about the film, you have to admit that it is unique. Scenes that seem like they should go on for thirty seconds can go on for minutes. At one time I was thinking that, with proper editing, this could make a good thirty minute movie, then I realized that that movie would offer an entirely different experience. For better or worse, the slow pacing is what makes this movie what it is. There is much walking in silence. If you have ever taken long hikes, you will understand the meditative state one can easily slip into by rhythmic tedious walking. I think that capturing that is what is being attempted here – notice how accentuated the sounds of the footsteps are.

Although both Matt Damon and Casey Afflect dont really talk that much throughout the film, i think they used their presence and situation to really do all they could with their characters. To me the characters are very diverse and interesting, and i have to say that i think that Casey Affleck has very much been underrated, but hopefully will get more attention, although after the release of Gone Baby Gone and The Assanation of Jesse James by the Coward Robert Ford people have recognised him more and more. He is an amazing actor in my opinion.

anyways i like this film but at times it is hard to keep concentrating, but give it a go.

Elephant (2003)

Elephant:

The movie starts as a car has a hard time driving straight down the road in a residential area. We think some kid has stolen this car. Nah. It’s the dad driving his son to school, and he’s drunk. The teenage son must take over. So, adults give up all responsibility towards their children and mayhem can take place. The film shows one day in the life of several teenage students as they go in and out of classes. They live their student lives and we follow their steps through the corridors and doors, taking them as guides one by one, like avatars in a giant video game.

On April 20th 1999, two highschool boys carried a daunting arsenel of weapons harnessed with military web gear into Columbine High School in Littleton, Colorado, and gunned down thirteen students. Gruesome though it was, the incident was just one of eight fatal high school shootings between 1997 and 1999. These traumatizing events began a debate about what was wrong with the nation’s youth, an issue that is the subject of Gus Van Sant’s Elephant.

Elephant was the winner of the Golden Palm at the 2003 Cannes Film Festival, Elephant is a brilliant and deeply affecting film that makes a corageous attempt to grasp today’s youth. Van Sant shows us all the surface rituals: the girl cheerleaders, boys playing football, hallways lined with lockers,  the academic discussions, yet an ineffable feeling of loneliness pervades. The picture features impeccable acting by a group of non-professionals from the Portland, Oregon area. Each character is introduced separately and we see them going about their business on a seemingly ordinary school day. The steadicam-tracking camera follows them as they walk through the sterile halls that seem endless. The school appears without life — a place where one feels a desperate sense of loss.

All the characters are completely diverse from one another, We see John (John Robinson), a blonde-haired surfer type, take over the driving from his father who has had too much to drink, then get called to task by an administrator for being late for school. Eli (Elias McConnell) is a photographer who asks classmates, including John, to pose for pictures. Football player Jordan (Jordan Taylor) meets his girlfriend Carrie (Carrie Finklea) for lunch. Three friends Nicole (Nicole George), Brittany (Brittany Mountain), and Acadia (Alicia Miles) gossip and argue about who is whose best friend. Michelle (Kristen Hicks) refuses to wear shorts, is admonished by her teacher, and then goes to work in the library. The paths of these students crisscross throughout the film and each has their own destiny to fulfill when the violence erupts.

The main protagonists, Alex (Alex Frost) and Eric (Eric Deulen) are modeled after Eric Harris and Dylan Klebold of Columbine. When we first meet Alex, he is being shunned by his fellow students, called names and pelted with spitballs in science class. Alex is more outgoing and creative, Eric more passive, but their personalities complement each other. Alex and Eric wait at home until a strange package arrives in the mail while Alex plays Beethoven’s “Fur Elise” on the piano. When they return to school, they are dressed in combat gear and ready to kill.

Rather than giving us pat answers, Van Sant bases his approach on the elusiveness of truth, and our insatiable desire to know more. The imagery and camerawork are almost painfully beautiful, while the disconnected narrative deliberately withholds closure. On top of all this, the pacing is superb, slowly building up the almost unbearable tension. When it is finally released, the explosion hits you with a frightening energy that is as unforgettable as it is chilling.

I think anyone should watch this, but i must warn people that it is quite confronting, i watched it twice and i think it is a amazingly brilliant film.

The Chronicles of Narnia: Prince Caspian (2008)

The Chronicles of Narnia: Prince Caspian:

The four Pevensie children return to Narnia, only to discover that hundreds of years have passed since they ruled there, and the evil King Miraz has taken charge. With the help of a heroic mouse called Reepicheep, and the exiled heir to the throne, Prince Caspian, they set out to overthrow the King, once again with Aslan’s help.

I got to see this film for the first time on saturday 7th with my friend and her family and i thought it was an amazingly mature and dark sequel to 2005’s The Lion The Witch and The Wardrobe. From the moment the film began i was immediatly engaged and interested.

The film starts off with a group called the Telmarines who have invaded and taken over narnia, wiping out loads of old narnian creatures. As it happens the Pevensie children, Peter (William Moseley), Susan (Anna Popplewell), Edmund (Skander Keynes) and Lucy (Georgie Henley) are summoned to Narnia to help out Caspian and the Narnians.

I think what blew me away the most was how much the actors have stepped up to the plate in this instalement, they were great to watch in the first film, but in this one they have really fulfilled their roles to every degree and have matured. All four of the Pevensie kids, just like the last time, add the right amount of drama and humour to their respective roles. It is hard for me personally to admire a certain character in this movie because i enjoy all 4 of the Pevensie’s in different ways, but i particularly enjoyed Georgie Henley as Lucy, she has really matured as an actor and as her character in every way, I also really enjoyed William Moseley as Peter but he has been a favourite character of mine since the first one, I really enjoy him as a character because he is really the leader of the siblings and i guess you could say the protector and ive always admired that about his character and the way William portrays him. But like i said all the actors really stepped up and matured in their characters and in their incredible acting. I think what gets to me the most is the fact that these actors have to act to nothing most of the time, with all the animated characters, I think this must be an incredibly difficult part of the acting and this for me is why i think their acting is so well done.

I must mention the new worthy addition to the cast, Ben Barnes as Prince Caspian. He acts like a courageous and brave prince born to lead an army. I think this role is an incredible breakout for him. Also worth mentioning is King Miraz played by Sergio Castellito, a great villian since Tilda Swinton, as for a few cameo appearances you should also look out for, the performances are amazing.

The other outstanding details I loved, yet again in this sequel was the Cinematography, The Production Design and the Visual Effects. The shots were amazing and lavish. The Long shots were great and New Zealand yet again was a great place to film. The locations are outstanding, very vibrant. And of course the Visual Effects, those everlasting details add another level entirely. I think a lot of people will appreciate all of this coming together, I know I did.

The action and Battle Scenes feel very much like a stand to something no one can win. At moments I would be cringing at the action and then the next I would be laughing, its a mix of drama and humour, like i said earliar. It is filled with dark themes and more mature elements. When thinking back I think hey the first one was really good, but then I think Prince Caspian was really good also. To be honest I really think this film was better than the first, much more mature.

All I can say is, go and see it, you wont be dissapointed.

“For Narnia and for Aslan” – Peter Pevensie.

 

Smart People (2008)

Smart People:

Into the life of a widowed professor comes a new love and an unexpected visit from his adopted brother.

I Saw this movie a few weeks ago and to tell you the truth it wasnt exactly that great, sure it had its moments but it mislead me a bit with the trailers.

“Smart People” isnt a laugh riot it’s more of a film that’s written very sharp and the lines are witty and intelligent. And the themes of characterization dominate much of the movie as each face a problem during their life. And this film really shows and proves that each and every person no matter how smart or dumb they are learn something as they go. The cast is super with veterans Quaid, Parker, and Church who give steady and seasoned performances and it blends well with Page’s witty and fresh intelligent turn.

Dennis Quaid is Lawrence Wetherhold a literature professor at a Pittsburgh, PA university who’s a cultured yet uptight and lonely social misfit who still misses his deceased wife. One of the things that keeps him going is his witty and smart as could be daughter Vanessa(Ellen Page) who knows everything from politics to pop culture she also has a sharp tongue she’s certainly a joy to listen to(much like Page’s “Juno” character). Also he’s just taken in his lonely and confused stepbrother Chuck(Thomas Haden Church)who does provide him some emotional support. Much of that changes for the better thru bad fate after Lawrence suffers a concussion and once he discovers after his treatment from ER doctor Janet(Sarah Jessica Parker)that she was once an ex student a friendship develops into love.

Along the way the film focuses in on each characters good points and their negatives as each learn the good and bad points along the way about one another. Ending in a surprise as this films proves no matter how intelligent or smart a person is they can always learn from life’s lessons and by making mistakes unexpected joys and happiness may arrive. You learn life as you go. This film is nothing great, but okay for the way it’s witty and focuses on different characterizations and it proves each must learn and the performances are well from the veterans topped off by Page’s wit.

This film kind of struck me as similar to the film (The Squid and the Whale) purely by the way it was written, i really enjoyed the squid and the whale but found it very strange, and thats how i found this one, but I guess people have to make their own desicion so see it if you liked “The Squid and the Whale) in my opinion.

The Black Balloon (2008)

The Black Balloon:

The Black Balloon is a drama-based Australian film which stars Toni Collette, Rhys Wakefield, Luke Ford, Erik Thomson, Gemma Ward as well as a cast of newcomers. It is directed by first time feature film director, Elissa Down.

I saw this fim on mothers day on sunday and it is i think one of the best Australian films in years and i really enjoyed it.

It tells the story of Thomas (Rhys Wakefield). He and his family move to a new home and he has to start at a new school, all he wants is to fit in. When his pregnant Mother (Toni Collette) has to take it easy, he is put in charge of his autistic older brother Charlie (Luke Ford). Thomas with the help of his new girlfriend Jackie (Gemma Ward) faces his biggest challenge yet. Charlie’s unusual antics take Thomas on an emotional journey that cause his pent-up frustrations about his brother to pour out.

Thomas (Rhys Wakefield) has just started at a new high school. His father serves in the armed forces and the family has to relocate regularly. His brother Charlie (Luke Ford) has severe Autism and Attention Deficit Disorder. He’s not able to speak and because he’s the size of an adult, caring for him is not easy. At the start of the film we see him grunt with delight as he tramples a newly-bought carton of eggs into the kitchen floor.

While Thomas’s mother (Toni Collette) has accepted her son’s condition, Thomas has not. He wants to keep his brother a secret from his new schoolmates but when one student (Gemma Ward) learns of his sibling, she’s not put off.

It’s been a number of years since I’ve connected with an Australian film to the extent that I did with THE BLACK BALLOON. From the interesting title sequence at the start, we’re drawn into the challenges of life with a family member suffering a developmental disability. While, I suppose, an outsider could never fully appreciate just how demanding such a life could be, the film gives us a very good idea.

One of the film’s many accomplishments is its successful blend of drama and comedy. It could quite easily have been a depressing affair but many of the brother’s outrageous acts prove most amusing. On other occasions, they’re heartbreaking.

Equally fine is the performance by Luke Ford. Playing a handicapped character is a challenge for any actor, but Ford is totally convincing as Charlie. Never do we consider he’s an actor playing a role.

Rhys Wakefield Proves to be a young aussie ready to hit hollywood, he really impressed me the nature of his acting and his many moods throughout the film, sometimes you thought he was a real jerk and other times you really feel bad for him, he is awesome.

Toni Collette is first-rate as the ever-loving mother. She’s heavily pregnant and when complications arise from her pregnancy, we can’t help but wonder if the third child will be like Thomas or Charlie.

The most likable of the characters is Thomas’s classmate and later girlfriend, Jackie, played by Gemma Ward. Her acceptance of Charlie and her solid support for Thomas makes her most appealing. It’s interesting to note that while Thomas sees Charlie as a burden, his formal introduction to Jackie and the development of their relationship has much to do with his brother.

THE BLACK BALLOON is the work of first-time director Elissa Down, who studied film-making in Perth. She has done a sterling job. Having grown up with two Autistic brothers, it must be a profoundly personal work. The screenplay, by Down and Jimmy the Exploder, is honest and moving and the photography by Denson Baker is fine. I particularly appreciated his low- angle wide shots.

I think that people should see this movie because it brings a new light to the Australian film industry.

The Painted Veil (2006)

The Painted Veil:

The Painted Veil is a love story set in the 1920s that tells the story of a young English couple, Walter (Edward Norton), a middle class doctor and Kitty (Naomi Watts), an upper-class woman, who get married for the wrong reasons and relocate to Shanghai, where she falls in love with someone else. When he uncovers her infidelity, in an act of vengeance, he accepts a job in a remote village in China ravaged by a deadly epidemic, and takes her along. Their journey brings meaning to their relationship and gives them purpose in one of the most remote and beautiful places on earth.

I saw this film with a friend on saturday and really enjoyed it, it really touched me in a way that a film hasnt done in a long time, The acting was brilliant out of the three main leads and what i really loved abou this film was the cinematography, it was simply stunning.

Although I  saw this film 3 days ago I still feel this sinking in the pit of my stomach every time I think of it. Edward Norton’s character Walter really came alive on the screen (and the accent sounded flawless to me). He seems at first one-dimensional, but then he becomes, to his own disdain, more three-dimensional due to his wife’s actions. He pads through life, studying that which takes life (bacteria and disease) instead of living life. Yet, he finds it is that which surrounds you, whether the culture, disease, or your wife, which matters in the end. Naomi Watts’ character Kitty goes in the opposite arc: from out and about to understanding that it is what is unseen and not tangible that is important,such as love, friendship, and duty and obligation.

I haven’t seen a film that has impacted me like this for a very long time.

I encourage everyone to go and see it, because it is one of those films that you sit and think about afterwards and that you will think about for days later, you will feel happy that you saw it.

Special Post: Billy Elliot The Musical Review

Billy Elliot The Musical:

I thought i would make a special post because I had the pleasure of going to see Billy Elliot The Musical in Sydney a couple of weeks ago. I Saw this AWESOME show with my sister and mum and we all enjoyed it  .

 This Musical had been out in Sydney for a number of months already, but it was beyond brilliant. Everyone knows the story of Billy Elliot Miner’s son Billy swaps boxing for ballet in a Durham county village fraught with tension over the 1984 miners’ strike that split the country between the working class and Margaret Thatchers Conservative Party revolutionaries.

The tale of an artist breaking through convention is hardly new to either film or musical theatre yet “Billy Elliot” seems to connect with audiences through its empathetic portrayal of very nonshowbiz working class types, and by showcasing some very talented juniors. There’s something quite magical about following the journey of a young teen through this kind of uplifting show.

Beyond Daldry’s very theatrical staging, Lee Hall’s expressive book and Elton John’s erratic yet ultimately endearing music, the show will always stand — or pirouette — on the competency of its young leads, who supply much of the vitality.

 Out of the 4 Australian boys Lochlan Denholm (Melbourne), Rhys Kosakowski (Newcastle), Rarmian Newton (Melbourne) and Nick Twiney (Sydney). I had the pleasure of watching Rhys and he was amazing in the role, a particularly joyful and technically proficient dancer. The troupe of ballerinas are an exuberant bunch, and, like Kosakowski, they blossom in form and enthusiasm through the show.

As Billy’s Mischievous, occasionally cross dressing pal, Michael, Joel Slater was an absoulute delight and a real highlight for the show. And the impact of the profanities spouting from the mouths of these babes was never likely to offend Oz sensibilities.

The older castmembers are great as well. Genevieve Lemon’s Mrs Wilkinson was a real joy to watch, she had so much energy and resemblence to the acutal character. All of the other performers were great and it was a really great musical to watch, one of the best I’ve seen, It’s still in Sydney at the moment but if it does come to Melbourne I think everybody should go c it, it was AWESOME!

Definitely, Maybe (2008)

Definitely, Maybe:

Ryan Reynolds stars as Will Hayes, a 30-something Manhattan dad in the midst of a divorce when his 10 year-old daughter, Maya (Abigail Breslin), starts to question him about his life before marriage. Maya wants to know absolutely everything about how her parents met and fell in love.

Will’s story begins in 1992, as a young, starry-eyed aspiring politician who moves to New York from Wisconsin in order to work on the Clinton campaign. For Maya, Will relives his past as an idealistic young man learning the ins and outs of big city politics, and recounts the history of his romantic relationships with three very different women.

Will hopelessly attempts a “PG” version of his story for his daughter and changes the names so Maya has to guess who is the woman her father finally married. Is her mother Will’s college sweetheart, the dependable girl next-door Emily (Elizabeth Banks)? Is she his longtime best friend and confidante, the apolitical April (Isla Fisher)? Or is she the free-spirited but ambitious journalist Summer (Rachel Weisz)?

As Maya puts together the pieces of her dad’s romantic puzzle, she begins to understand that love is not so simple or easy. And as Will tells her his tale, Maya helps him to understand that it’s definitely never too late to go back…and maybe even possible to find a happy ending.

 I think that this movie was enjoyable, yet predictable, at many times throughtout the film I found myself sighing because I was very aware of what was going to happen, but i guess I did’nt mind watching it as it was free tickets to see it. I think this film was good enough to watch if your looking for a easy romantic comedy.

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